Sources at Comedy Central are worried about the future of “The Sarah Silverman Program.” The award-winning show is a victim of the economic slump and is currently on hiatus while the show’s producers- including Sarah Silverman herself – try to figure out how to produce the show on a smaller budget. I guess nobody is safe these days!
The economic downturn is jeopardizing “The Sarah Silverman Program,” one of Comedy Central’s signature series.
The show’s executive producers — Silverman, Dan Sterling and Rob Schrab — have threatened to quit after the cable network told them the budget for their series would be slashed by more than 20%.
More than two months after “Sarah Silverman” ended its second season, the show has yet to be renewed for Season 3. (In 2007, the second-season pickup came 11 days after the series’ premiere.)
At the center of the holdup is the proposed budget for Season 3. Citing cuts imposed on the network by parent company MTV Networks, Comedy Central had proposed that the trio bring back the Writers Guild of America Award-nominated show at about $850,000 an episode, sources said, down from the $1.1 million an episode for the show’s second season.
In broadcast, single-camera comedies are produced for about $1.5 million-$2 million an episode, and the budget for any series normally climbs from year to year.
“Sarah Silverman” is a single-camera comedy that also features animated sequences and musical numbers.
The contracting ad market is hitting networks hard. MTV Networks’ parent Viacom in December laid off 7% of its work force, though Comedy Central largely was spared because it had been through the ringer following the 2003 acquisition of Time Warner’s 50% ownership in the network and had little left to cut.
Amid the economic woes, ABC Studios and 20th TV asked all of their showrunners to cut 2% of their series budgets.
Concerned they won’t be able to maintain the integrity of the show at the discounted price, Silverman, on behalf of the three executive producers, informed the network late last week that they can’t proceed with a third season. The move reportedly sent shock waves through Comedy Central’s executive offices, with top brass jumping into action to find a budget compromise that would keep the flagship live-action series on the air.
As of Friday night, the situation remained at a standstill. Both sides continued their back-and-forth during the weekend.
A resolution is expected as early as Monday, and people familiar with the situation were optimistic that the two sides would agree on financial terms to bring back the show.
I’m not surprised that some shows are being scaled back due to slow ad sales. But what does surprise me is that this show is being singled out as an expensive program. One million bucks per episode sounds like a lot of money – and it is – but when you put it into the context of network television, it’s not. NBC spent one million per episode of “Friends” just to pay Jennifer Aniston’s salary! Comedy Central is notoriously cheap – Jon Stewart loves to poke fun at the network on that very topic. Can’t Sarah’s network TV star boyfriend, Jimmy Kimmel, help her out here?
Here’s Sarah Silverman at the Writers Guild Awards on Feb. 8. Photo credits: Newscom.
oh boo hoo.
Doncha know these creative types can’t make do with less.
The difference between Sarah’s show and Friends is that Friends was on network television, not cable. Also by the time the Friends cast was making a million and episode the show had already been sold into syndication for a BILLION dollars in revenue for Warner Brothers, so at that point to keep them around to produce more shows that they could syndicate, the cast of Friends was absolutely worth it. Sarah’s show is in the second season and will not be able to hit syndication until a minimum of 100 epidsodes and it’s not a ratings bonanza. No more Red Vines on the Silverman Program!
That’s too bad, I really love her show. I’m wondering how the show even costs that much to produce…hmmm…I guess Sarah can’t have any more of her Day glo colored daydreams on the show. They’re getting too expensive!
Worst.Show.Ever.
God forbid Sarah fork up some of her own fucking money to finance her own show (which sucks balls anyway).
Boo! I really really hope they work something out. The show is one of my favorites. Save Our Sarah Silverman! I’ll be biting my nails in anticipation until we hear…
In the meantime, my personal stimulus package: http://squareeyes.blinkx.com/?p=395
You mean it will be even less funny? She’s only good in small doses as stand up comedy.
I tried watching her show and had a difficult time finding much humour there. She looked a 12 year old in the show…
I don’t really watch that show, it’s not really my type of humor. I hated Carlos Mencia’s show when it was on and I’m not really into Comedy Central’s new show with Demetri Martin…I miss Dave Chappelle…
Actually, it should be noted that TV ratings are up- since more people are staying home and watching TV, as well as movie tickets.
People like the escapism. TV and film are relatively safe industries, so if he show is hurting it’s because of her, not because of the times.
I watch her show & I think she’s a shallow, stupid 10-year old in an adult body – a very beautiful woman if only she wasn’t a rude, crass horrible idiot .. see the dichotomy..!
Can’t they find someone else with more talent and give the show to that person? Wouldn’t John Hodgeman like to do a show?
Or Steve Martin? Or Deitrich Bader? Or one of the Sidaris siblings? Or half of the current and past cast of the Daily Show?
One million an episode sounds pretty paltry per episode, but that’s because it is – for network shows. (And ideally by the time cast members are making $1 million an episode – or more – it’s an established hit for the network and well worth the salary in ad and syndication revenue.) I’ve never seen her show, so I have no idea how difficult it might be to scale things back.
There is only one question to be asked here: Are the Comedy Central “Executives” taking pay cuts, as well? THEN I’d believe there’s money problems.
Otherwise – as in every other business – when the times get tough, it’s the workers who are told they’ll have to do the same work for less pay – not the people who “supervise” production.
I watched her show in the early days and liked it well enough, but the increasingly juvenile, bathroom and drug humor got to be too much, so I stopped watching. Sarah Silverman is smarter than that, and unfortunately, her show is a real waste of her talent and that of the other people on/behind it. I hope they comes up with something better for her in the future. As for this show, I say GOOD RIDDANCE.
oops … meant to say “I hope they come up with something better …” in the comment above.
Good riddance to bad rubbish. Sarah’s humor is crass and unfuny to me. I watched and did not laugh. She’s about as funny as Mencia, which is aknockoff of Chappelle. At least Demetri Martin is fresh, funny and innovative. Hubby and I don’t miss a show and we always laugh.
She’s not funny.I don’t see how her show has lasted this long.
I have tried to watch the show many times and the same bad taste invades my mouth . . . like kissing the bully everyone disliked in seventh grade. She leaves a bad coat in my mouth. Bye sweetie, have some babies by that husky BF of yours and you’ll make half of what he’s made once he divorces you for someone prettier.
Ta-Da. I just wrote a Sarah Silverman skit!
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Oh no, I loved the show and she is a very funny woman.. 🙁 Guess I’ll have to stick to the site diana mentioned, hilarious though 😀