Netflix has slated season two of the wildly popular series Jessica Jones to air in 2017, although it is looking more like 2018. Pretty much all we know abut season two is that Krysten Ritter will return as the titular character (a moment of silence for the absence of the transcendent David Tennant). Obviously one of the most notable things about the series is that it portrayed a strong, independent female superhero who fought her own demons without needing a savior character to rush to her aid. In a huge show of support for a female led project, showrunner Melissa Rosenberg announced last week that each of the 13 episodes of season two will be directed by women.
All 13 episodes of the second season of “Marvel’s Jessica Jones” will be directed by women, according to executive producer and showrunner Melissa Rosenberg.
Rosenberg discussed the all-female directing roster during her panel at Transforming Hollywood 7: Diversifying Entertainment, a conference held Friday at University of Southern California’s Annenberg School for Communication and Journalism.
Rosenberg said that in the second season of the superhero show, she had wanted to increase the number of female directors — a goal that Marvel was completely on board with, she noted. Given how in-demand many women directors are these days, she and her fellow producers had set their sights on booking women first, she said, and contracting male directors later in the pre-production process.
But then someone else involved in the production — she didn’t specify who — floated the idea of booking only women as directors. Rosenberg was honest about the fact that she hadn’t contemplated that concept prior to that conversation, but she said she quickly jumped at the opportunity.
When it comes to behind-the-scenes personnel, hiring an inclusive array of people was “a conscious decision and it’s very important that showrunners do that,” she said.
Ava DuVernay is also using female directors exclusively for her series, Queen Sugar. Obviously this is amazing and sends a great message to both the industry and the fans. I also think it is important to recognize that this has Marvel’s full support. I will be unpopular for admitting this, but I was really just okay with JJ’s first season. I really wanted to like it. However, my problems were with the writing, both story-telling and consistency. I love the female empowerment and voice of the series and was happy to see it get a second season. I honestly think the show will be improved by having all female directors to strengthen it’s leads’ voices.
Once again, Netflix is taking the lead on inclusion with Hulu and Amazon right behind them. The Huffington Post points out that reason streaming networks can break so many molds is because they are free from the formulaic rules that network TV still strangles itself with. The problem is, “If it ain’t broke, don’t fix it” only applies if “it” isn’t broken and I think we have all seen that network TV is fairly broken. Because the streaming companies have their own distribution, they are bound to no one but themselves. Isn’t it nice to know that once those constraints are lifted, these companies diversified instead of falling into the same old comfortable rut? Hmm. It almost seems like there is an object lesson there…
Photo credit: Fame/Flynet Photos and Getty Images
So far JJ has been my favorite of any of the Marvel series. I just love Kristen Ritter and David Tennent is my boo. Everything he does is golden. Ill miss him but then again he’s always working so.
Not only is there a strong female lead but her most important relationship is her close friendship with another woman.
I love the initiative!
Ps: David Tennant is everything. Can they get his character back?
Gimmick or not, I love it. Why not? More than a few series have had all male directors.
As a whole I’ve found Daredevil to be the most entertaining of these shows. Flawed, but so much fun. Loved JJ but it was emotionally rough! Luke Cage was the real disappointment and it broke my heart. Loved the actors, the atmosphere, the music, but the writing killed it. It draaaaaaged on. Repeated bordem to get to the good stuff. Oh and the villain, change, shall we say? Hated it!! The first guy was so much better! I think there was an amazing eight episode series somewhere in there. Sadly, it was 13 episodes.
I am the only person to dislike Tennant in that role I think.
I found him over the top and very much a caricature of a person. Granted it’s based on a comic book, so I guess he’s supposed to be Extra?
Anyhow I can’t wait for more flawed Jessica and her bestie. All female production makes it even tastier. In the last season the men were the weakest part. The two boyfriends were the easily the worst, and only one was redeemable with super hotness. They did the casting thing that happens to women, where they went for the hottest dude and ignored the acting capability. The one dating the blonde friend gave me such Riley in Buffy vibes of badness.
Love it even if I personally found JJ a Bit tedious… it was drudgery to finish it, Still havent started on Luke Cage or Daredevil or Narcos 2 or OITNB either ( I’m super backed up on my Netflix! I did watch the 13th and made everyone I could watch it !!)
I’ve seen all of the “Defenders” shows and JJ was the best of them. There was too much going on thematically with Luke Cage, but it was my second fave and I hope like many Netflix series, they fix some of that with the second season.
The 13th is in my Netflix queue. I’m know I’m going to feel all kinds of unpleasant emotions so I’m gearing myself up sitting in Ava’s class and getting an education.
I did too Bonzo I ended waiting til after my BF bday to watch and it was the proper move!, my sister texted me like 12 am telling me she was Bawling too
I think I loved JJ so much that I might have been a bit blind to any shortcomings.
I work in YA fiction quite a lot and you find that much of the fantasy output functions as a parable of real life issues – so they kind of work as a literary safe space for young people. Same with comics really, no? So you have the X Men subtext being Malcolm X vs MLK. You have various zombie arcs with a racism subtext. To me, the subtext of JJ was DV and otherwise abusive relationships.
I think it’s possible that I got so enthused about that – that an incredibly popular TV show was exploring it in a format that would reach millions – I didn’t notice anything at all to criticise. If I ever get time, I might watch it again with a less invested eye and my critical faculties working.
13th is bloody excellent, btw.
I usually watch Netflix at night after the kiddos are in bed, but I think for The 13th, I’m going to do it during the day when the sun is shining bright and I don’t have to try and sleep right after. I know I’m going to be emotional during and afterwards.
I can’t wait, loved the first season. It seemed Netflix wasn’t sure about renewing JJ, despite it popularity, because it wanted to do The Defenders first. So glad they’re going ahead with season 2.
I am not a comic book person, but I really liked the first season. I enjoyed it so much! I like how they didn’t try to make her this perfect person who has everything together.
Good. I refuse to call it a gimmick because it wasn’t considered one when it was men purposefully locking women out of jobs. And frankly, the influence of female writers shows on JJ. I actually commented to a friend that I could tell Tenant’s character was shaped by female writers – because he portrayed in a manner that spoke to a lot of intrinsic fears women have about the kind of men who get entangled in our lives. The only real complaint I had about the show was race. They really need more non-white writers on staff, particularly more POC women.
I like this, and JJ is a great show so far. But one question: What about female writers? I would think that would be important too, if not more so?
They do have several female writers, and the showrunner/head writer is a woman.
2018??? Oh no 🙁 I hate to wait that much!
I think this is doing gender equality a disservice. It’s creating an atmosphere of “us versus them”. While I am happy that hollywood job opportunities are being created for women, I … don’t know. It just doesn’t feel right. Gender discrimination is gender discrimination, no matter which gender the discrimination is against.
I’ll agree with this and raise a point. If women tell women’s stories and men tell men’s stories, do women get to tell men’s stories? Is this the way we want the world to work?
If they picked their directors and they all turned out to be women – cool.
If they only looked at women, not cool.
Would you feel empowered knowing you, at least partially, got the job because of your gender?