Here are some additional photos of Winona Ryder at the Venice Film Festival on Wednesday. She was in town to promote Beetlejuice Beetlejuice, alongside Jenna Ortega, Catherine O’Hara, Michael Keaton and the rest of the cast. Winona has been enjoying a “second act” to her career for years now, and it might actually be a third act? I don’t know. The point is, between this film and Stranger Things, Winona has been working with a lot of much-younger costars and she has some thoughts about them. Mostly, she has thoughts about how they don’t have the attention spans or the ability to watch real movies. From her interview with the LA Times:
Ryder, however, is concerned about the future. Not about her own career, exactly, but for the continuation of the medium of film, which she holds dear. The nights she spent with [Gena] Rowlands driving around in a cab for [Jim] Jarmusch’s movie represent the kind of art she loves.
“I’m not a religious person,” she says. “I’m not anti-religion, but I feel like the closest is film and it’s to me a very sacred thing. I feel so protective, but I’m not in any place to be in control. It’s not up to me.”
[Ryder] was immediately impressed with her younger co-star after Ortega mentioned “I Am Cuba,” the 1964 film by Soviet director Mikhail Kalatozov, during one of their early scenes. They were working in a crypt and Ryder says she almost wept hearing Ortega reference specific shots from the classic.
Ryder appreciates getting to interact with the up-and-coming generation of film lovers who remind her of herself, excitedly telling me how her “Stranger Things” co-star Finn Wolfhard is obsessed with Elliott Gould. Still, she gets frustrated when there is a lack of curiosity among her more junior colleagues.
“I don’t mean to sound so hopeless,” she says. “There are a few that are just not interested in movies. Like, the first thing they say is, ‘How long is it?’ ”
[From The LA Times]
I think Winona is right and wrong. There are many youths who have no attention span for movies and no curiosity about the history of film. We’ve seen that over and over whenever one of the great filmmakers criticizes Marvel or the superhero genre – tons of young people screaming about how Avengers: Endgame was the most important film of all time or how Martin Scorsese isn’t important and his opinions don’t matter. So that’s real and that’s what Winona is talking about. But I also think there are many young people who actually do have the attention span and the willingness and they just don’t know where to start. It’s easier to binge-watch seven seasons of a TV show on Netflix than hunt for old Douglas Sirk or John Cassavetes films.
Also: in this LAT piece, Winona says that she still exchanges hand-written letters with Keanu Reeves and Daniel Day-Lewis. OMG.
Photos courtesy of Avalon Red.
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Winona Ryder beim Photocall zum Kinofilm Beetlejuice Beetlejuice auf der Biennale di Venezia 2024 / 81. Internationale Filmfestspiele von Venedig im Palazzo del Casino. Venedig, 28.08.2024 *** Winona Ryder at the photocall for the movie Beetlejuice Beetlejuice at the Biennale di Venezia 2024 81 Venice International Film Festival at the Palazzo del Casino Venice, 28 08 2024 Foto:xD.xBedrosianx/xFuturexImagex beetlejuice_4817,Image: 902215151, License: Rights-managed, Restrictions: imago is entitled to issue a simple usage license at the time of provision. Personality and trademark rights as well as copyright laws regarding art-works shown must be observed. Commercial use at your own risk., Model Release: no, Credit line: IMAGO/Dave Bedrosian / Avalon
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Winona Ryder beim Photocall zum Kinofilm Beetlejuice Beetlejuice auf der Biennale di Venezia 2024 / 81. Internationale Filmfestspiele von Venedig im Palazzo del Casino. Venedig, 28.08.2024 *** Winona Ryder at the photocall for the movie Beetlejuice Beetlejuice at the Biennale di Venezia 2024 81 Venice International Film Festival at the Palazzo del Casino Venice, 28 08 2024 Foto:xD.xBedrosianx/xFuturexImagex beetlejuice_4819,Image: 902215170, License: Rights-managed, Restrictions: imago is entitled to issue a simple usage license at the time of provision. Personality and trademark rights as well as copyright laws regarding art-works shown must be observed. Commercial use at your own risk., Model Release: no, Credit line: IMAGO/Dave Bedrosian / Avalon
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Winona Ryder,Image: 902233466, License: Rights-managed, Restrictions: , Model Release: no, Credit line: Maria Laura Antonelli / AGF Foto / Avalon
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Winona Ryder,Image: 902233489, License: Rights-managed, Restrictions: , Model Release: no, Credit line: Maria Laura Antonelli / AGF Foto / Avalon
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Jenna Ortega und Winona Ryder bei der Opening Ceremony mit der Premiere des Kinofilms Beetlejuice Beetlejuice auf der Biennale di Venezia 2024 / 81. Internationale Filmfestspiele von Venedig im Palazzo del Cinema. Venedig, 28.08.2024 *** Jenna Ortega and Winona Ryder at the Opening Ceremony with the premiere of the feature film Beetlejuice Beetlejuice at the Biennale di Venezia 2024 81 Venice International Film Festival at the Palazzo del Cinema Venice, 28 08 2024 Foto:xD.xBedrosianx/xFuturexImagex beetlejuice_4443,Image: 902376787, License: Rights-managed, Restrictions: imago is entitled to issue a simple usage license at the time of provision. Personality and trademark rights as well as copyright laws regarding art-works shown must be observed. Commercial use at your own risk., Model Release: no, Credit line: IMAGO/Dave Bedrosian / Avalon
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Winona Ryder bei der Opening Ceremony mit der Premiere des Kinofilms Beetlejuice Beetlejuice auf der Biennale di Venezia 2024 / 81. Internationale Filmfestspiele von Venedig im Palazzo del Cinema. Venedig, 28.08.2024 *** Winona Ryder at the Opening Ceremony with the premiere of the feature film Beetlejuice Beetlejuice at the Biennale di Venezia 2024 81 Venice International Film Festival at the Palazzo del Cinema Venice, 28 08 2024 Foto:xD.xBedrosianx/xFuturexImagex beetlejuice_4415,Image: 902377292, License: Rights-managed, Restrictions: imago is entitled to issue a simple usage license at the time of provision. Personality and trademark rights as well as copyright laws regarding art-works shown must be observed. Commercial use at your own risk., Model Release: no, Credit line: IMAGO/Dave Bedrosian / Avalon
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Jenna Ortega und Winona Ryder bei der Opening Ceremony mit der Premiere des Kinofilms Beetlejuice Beetlejuice auf der Biennale di Venezia 2024 / 81. Internationale Filmfestspiele von Venedig im Palazzo del Cinema. Venedig, 28.08.2024 *** Jenna Ortega and Winona Ryder at the Opening Ceremony with the premiere of the feature film Beetlejuice Beetlejuice at the Biennale di Venezia 2024 81 Venice International Film Festival at the Palazzo del Cinema Venice, 28 08 2024 Foto:xD.xBedrosianx/xFuturexImagex beetlejuice_4442,Image: 902378524, License: Rights-managed, Restrictions: imago is entitled to issue a simple usage license at the time of provision. Personality and trademark rights as well as copyright laws regarding art-works shown must be observed. Commercial use at your own risk., Model Release: no, Credit line: IMAGO/Dave Bedrosian / Avalon
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Scott Mackinlay Hahn und Winona Ryder bei der Opening Ceremony mit der Premiere des Kinofilms Beetlejuice Beetlejuice auf der Biennale di Venezia 2024 / 81. Internationale Filmfestspiele von Venedig im Palazzo del Cinema. Venedig, 28.08.2024 *** Scott Mackinlay Hahn and Winona Ryder at the Opening Ceremony with the premiere of the feature film Beetlejuice Beetlejuice at the Biennale di Venezia 2024 81 Venice International Film Festival at the Palazzo del Cinema Venice, 28 08 2024 Foto:xD.xBedrosianx/xFuturexImagex beetlejuice_4409,Image: 902381328, License: Rights-managed, Restrictions: imago is entitled to issue a simple usage license at the time of provision. Personality and trademark rights as well as copyright laws regarding art-works shown must be observed. Commercial use at your own risk., Model Release: no, Credit line: IMAGO/Dave Bedrosian / Avalon
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Winona Ryder during opening Red Carpet – The 81st Venice International Film Festival, Venice, Italy 28 August 2024,Image: 902422035, License: Rights-managed, Restrictions: , Model Release: no, Credit line: Maria Laura Antonelli / AGF Foto / Avalon
I stan her soo much – she’s amazing end of.
I LOVED her in The Crucible – the chemistry between her and DDL was intense.
I believe in 2124, this very ancient art of storytelling, will morph into a different form and deliverance. I’m certain, in a form that the ancients could not have perceive that the 20th century would bring to storytelling.
Nor can we perceive of the world in the distant future.
This is true about most things with the younger generation. My brother (who is a Millennial and I am a Xennial) talk about it all the time. It seems like kids these days have zero interest in what came before. When I was younger I loved watching old movies and listening to music from before I was born. I discovered some of my favorite artists that way. But kids today seems to think the world started spinning when they were born and anything before didn’t happen or isn’t important. It’s why you have kids on TikTok thinking they discovered “skorts” or certain actors who have been around forever.
Thank you!! I totally agree! They think they are the only people who have any experiences or are “real”. Everyone and everything else is just not relevant. And yes, absolutely no interest in a perspective other than their own. They have spent so much time online that they have no appreciate for the REAL world and the other people in it. I can’t tell you how obnoxious and dismissive it is to deal with.
Not a youth, but I don’t have the attention span for movies. Or maybe it’s just that I prefer written words. There are very few movies that, to me, surpass the book they are based on.
I believe in 2124, this ancient art of storytelling will morph into a different form and it’s deliverance.
They’re probably interested in good movies, not bad ones. There’s too much content everywhere and it’s a hassle to try and find something good with all the different streaming services. Maybe that’s why everyone eventually takes up
hiking.
Bad Boys 4 did well. Black Cinema gets ignored we are hungry for actual representation in the Black American community. No just being side kicks or stereotypes all the time.
Get Out, Black Panther, Zola, and Bad Boys were hits in part because of that.
A good movie can be a wonderful experience, but it requires an investment of time. I’ve found I watch more movies when I have extra time available. When I am busy, I’m busy doing other things. I wonder if maybe movie stars fail to understand this. You sort of have to pick and choose what to devote your time to in such a busy world. Maybe Gen Z is busy trying to get into a good school or career — they might not have the time…
I started really watching movies at the cinema last year. I used to see maybe 1-2 a year then stopped totally with covid. But then Cocaine Bear came out and my BFF and I discovered a local independent cinema that has re-opened having been shut for decades. Smaller screens, comfortable sofas, foot rests (so important), food and wine. We saw a bunch of films last year to the point where I got an unlimited membership this year. I much prefer watching films at the cinema and I’ve realised that it’s mostly the lack of distractions. No checking my phone, no pausing to get a snack or go to the loo. I love that it’s an event. It’s also meant I’ve been to see all sorts of things I wouldn’t have bothered with normally as I’m a cheapskate and really wanted to get value from my membership! Right now it’s OG Top Gun tomorrow night then Winona in this when it opens in the UK on the 6th.
Older movies definitely have a different feel than current movies – and I’m not talking about the 80s, but more the 30s, 40s, 50s, 60s – there was a different cadence to how people talked, cinematography was different, etc.
Also, for a lot of younger people, they’re going to miss that something was groundbreaking because they’ve seen it before. Think of Notorious – Ingrid Bergman and Cary Grant’s kiss thatw was so long they had to break it up with talking to get past the censors – and then think of the iconic scene where the camera pans the whole ballroom and zooms in on Ingrid’s hand clutching the key to the wine cellar. That’s something that’s been done over and over again at this point but it was a big deal when hitchcock used the cameras in that way. But I mean, the 40s were 80 years ago. When I was growing up in the 80s and 90s I thought the 20s and 30s seemed like eons ago and they were closer in time than the 40s are to kids today.
Also, for Gen Z and younger – I do think there is a problem with attention spans. when you’re used to watching tiktoks or reels that are 2-5 minutes in length, a 3 hour movie with no explosions or whatever, its a big jump. I’ll be honest and say that i’ve noticed my attention span for movies has drastically decreased and I think that’s why.
Then, to compound that, you have directors like Scorsese thinking that every movie they make has to be 3-4 hours. I want to see a well made movie with excellent acting and a good story. But for the love of pete they don’t all have to be 3 hours.
Finally – we do have really good TV now thats readily available and even with streaming, its cheaper to stream Netflix for a month than it is to go to the movies for 2 or4 people.
I know a lot of “youths” and none of them ask how long a movie is, what a weird thing. It’s the same generation who binges 8 hours of LOTR on Netflix, I think they’re fine.